Directed by: Frank S. Mottershaw
This is one of the pioneers of the chase film genre and is among the first films to use the template of someone being chased escaping the pursuers by getting on a train. It features several outdoor locations, continuity editing, use of depth to convey distance (people running toward or away from the camera), fights and special effects. It is thrilling and shocking – a policeman is thrown off a roof (a substitution splice replaces the actor with a dummy) and a chase ensues through several locations. The film falters at the end when a jarring edit necessitates the assumption that the police officers signaled ahead to others for the conclusion to make sense (a quick scene of police communication before the train arrives would have fixed this). The shots of the train stations are reminiscent of L’Arrivée d’un train en gare de La Ciotat / Arrival of a Train at La Ciotat (1896).
Around the same time, another British gentleman, William Haggar, made a chase film known as Desperate Poaching Affray (1903). Both were a major influence on Edwin S. Porter’s The Great Train Robbery (1903) and the American action movie scene.

Bibliography
Brooke, M. (n.d.). ‘Daring Daylight Burglary, A (1903)’, BFI screenonline. Available at: http://www.screenonline.org.uk/film/id/443089/index.html [Accessed: 28 January 2022].
IMDb contributors (n.d.). ‘Daylight Burglary (1903)’, IMDb. Available at: https://www.imdb.com/title/tt0132077/ [Accessed: 28 January 2022].
JEC (2021). ‘A Daring Daylight Burglary (1903)’, A Cinema History. Available at: http://www.acinemahistory.com/2021/02/a-daring-daylight-burglary.html [Accessed: 28 January 2022].
