Directed by: William K. L. Dickson
Much like the Monkeyshines films, this is an in-house experiment of the Kinetophone – a system consisting of a Kinetoscope and a cylinder-playing phonograph. It is the first film to feature live-recorded sound, although due to technicalities does not necessarily qualify as the first sound-film in history. The main issue is that it did not attempt synchronicity but an effect much like turning on your TV and radio at the same time. The music was an approximation and various recommendations were made for films played with the Kinetophone (in the case of Carmencita, suggestions included Valse Santiago, La Paloma, and Alma-Danza Spagnola). Regardless, it was a significant development towards sound film.
As for the content, it features William Dickson playing the violin and two other men (likely lab assistants) dancing. The melody is Song of the Cabin Boy from Robert Planquette’s light opera Les Cloched de Corneville (The Chimes of Freedom), composed in 1877. In the full version of the surviving recording, it is possible to hear somebody say “Are the rest of you ready? Go ahead!” at the very beginning – the first recorded instance of “speed” and “action”.

Bibliography
IMDb contributors (n.d.). ‘Dickson Experimental Sound Film (1894)’, IMDb. Available at: http://www.imdb.com/title/tt0177707/ [Accessed: 2 December 2021].
Murch, W. (n.d.). ‘Dickson Experimental Sound Film 1895’, FilmSound.org. Available at: http://filmsound.org/murch/dickson.htm [Accessed: 2 December 2021].
Wikipedia contributors (2021). ‘The Dickson Experimental Sound Film’, Wikipedia, The Free Encyclopedia, 5 November. Available at: https://en.wikipedia.org/wiki/The_Dickson_Experimental_Sound_Film [Accessed: 2 December 2021].



